Saturday 22 March 2014

Rulers and Rulers: Worlds of the Electors of Saxony

Something tasteful today
Today's objective was to find August, my Elector. It started out promising enough with the Royal Cabinet of Mathematical and Physical Instruments in the Zwinger Complex. Then the plan was to head over to the Royal Palace to see where he lived. I wanted to see some of Leonhard Danner instruments in the armoury.

My good Elector who could plan an itinerary to the nearest hour would have been disappointed in our finding abilities. Still, as I said, we were struck by the extraordinary mathematical, measuring, surveying, geographical and astronomy instruments. It wasn't just the technological sophistication of these things, it was the decoration of what would ordinarily be quite utilitarian. Swirls and cut-out patterns adorned set squares and protractors.

Friday 21 March 2014

Dresden Thoughts


I'm currently looking up at the sky. Reclining in the welcome silence of the hotel's quiet room with a cup of fruit tea. It's a fabulous place to collect one's thoughts and anticipate the weekend to come. The art historical odyssey of tomorrow and Sunday was merely words on a page today; though at least we know where we're going.

This visit has a purpose. Last year in Paris I came across a very special object in the Musee de la Renaissance. The Elector of Saxony's wire drawing bench is a perfect MA dissertation topic and I started work on it straight away for my summer report. You can take a lot from books and journal articles, but to truly get under the skin of a patron and his works, you have to see his place. His home. His culture. So here I am, banging on the door of the Royal Palace.

Wednesday 19 March 2014

Twenty Years as a Law Librarian - Technology

Not a computer pic
It’s not just the internet that has been around for ages. Turns out I have too. I have been mining my LA/CILIP Professional Development Report (1999) for insight into what has changed (or not) in the information profession. In this first piece I focus on technology, but I will be reviewing communication methods, taking a look at changing training requirements, and comparing the state of the profession - then and now.

It was 1998. I’d just come off the standalone Lexis terminal after finding a case for a lawyer. He’d been grateful for my speedy search technique not because he needed it quickly, but because spending longer than 10 seconds on there meant a hefty fee. I was pleased that I’d found an unreported case and it had made me think about doing my job without a networked computer.

I asked the experienced library manager I worked with, 'what was librarianship like when you first qualified?’ Her response was ‘cards, cards and more catalogue cards'. She had been in the profession since the late 1970s and the changes she’d seen fascinated me. I am now in the same position as she was. I have been in (law) librarianship full time since 1995, and chartered in 1999. It is now 2014 and the past twenty years have seen incredible developments.

The basics have not changed. We are still employed to find the right information, at the right time, and at the right price. Our libraries and the way our users access information have changed beyond technological recognition. We may have different job titles and work in areas which may not previously have come under ‘library and information’ but the areas I am looking at remain constant, even if the details change. Technology is all encompassing in our role so I have picked out a few naïve gems from my report.

Tuesday 11 March 2014

Great War in Portraits at the National Portrait Gallery

Jules Gervais Courtellemont, 1916 
Cultural review shows entertain and repel me in equal measure. Sometimes the cynical, world weariness of these self satisfied know-it-all critics make me laugh. Few, however, provoke a such a negative reaction that I run along, at the nearest opportunity, to the thing being reviewed. The conversation between Rachel Cooke and the host on BBC4's Front Row (Peter Gabriel; Paco Peña; Helen Oyeyemi; Great War in art; Mark Thomas) was uninformed and utterly disgraceful. After a polite twitter exchange with Ms Cooke, I went down to one of the convenient late night openings.