This was an interesting start to Birkbeck Arts Week. Given the MA Catholic reformation module, I thought it would be a on topic diversion. As the blurb said, 'in our secular world, prayer has become unfamiliar, and past cultures where
prayer was more central are harder to understand. Dr
Isabel Davis (Birkbeck), Revd Dr Jessica Martin and Dr
Nicola Bown (Birkbeck) discuss representations of prayer in literature and
art in the Middle Ages, the seventeenth century and the Victorian period. Technique of prayer; what it is and what it is like'.
Dr Isabel Davis and her band of pilgrims set out from the late Middle Ages. For the church going population kneeling was a natural, obvious, submissive posture. And yet, where did this invented and culturally specific idea come from?
A blog to explore the interests of an original renaissance woman; arts, sciences, poetry, librarianship and everything in between.
Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts
Tuesday, 20 May 2014
Monday, 30 January 2012
Definitions of Modernism: The New Objectivity
I have been meaning to thank Nick Lambrianou from the 'Shock of the New' course at Birkbeck College for some time. I went into that course in 2009 with a rather closed mind and during the class introduction, I laid out the challenge he faced: 'I'm a Renaissance girl. Modern art? Convince me!'.
Then I started doing research into what modernism was and the resultant effect stunned me; all this modern stuff in some ways felt more real and relevant to my life. So I set out before you (and to refresh myself) what I initially found and presented to class.
After reading and discarding many dictionary and encyclopaedia entries of the term modernism, I want to simply define it as an ethos which dominated Western 19th- and 20th-century culture – a celebration or reflection of the possibilities – or impossibilities of the present. It is impossible to define because:
Then I started doing research into what modernism was and the resultant effect stunned me; all this modern stuff in some ways felt more real and relevant to my life. So I set out before you (and to refresh myself) what I initially found and presented to class.
After reading and discarding many dictionary and encyclopaedia entries of the term modernism, I want to simply define it as an ethos which dominated Western 19th- and 20th-century culture – a celebration or reflection of the possibilities – or impossibilities of the present. It is impossible to define because:
Saturday, 21 January 2012
Jonathan Yeo - Addendum in full
This is the addendum blog post in full - a shorter version appeared on the Aesthetic Diary Blog.
Jonathan Yeo's latest exhibition paintings hadn't lost their impact on a second viewing despite being prepared for the shocking surgical markings this time. The skin tones glow with life, enhanced by the rough surface under the paint causing minute imperfections in the flesh.
Jonathan Yeo's latest exhibition paintings hadn't lost their impact on a second viewing despite being prepared for the shocking surgical markings this time. The skin tones glow with life, enhanced by the rough surface under the paint causing minute imperfections in the flesh.
Subscribe to:
Posts (Atom)