Legal Upheaval: A guide to creativity, collaboration, and innovation in law by Michele DeStefano

We live in a hi-tech world where even the simple act of reading can depend on electronic devices. You catch the news on your mobile or tablet; reading for pleasure might mean a Kindle; and longer articles perhaps become ‘TL;DR’ because of service interruption. Imagine the pleasure then, of a picking up a book. Michele DeStefano’s 2018 hardback has been a constant travel companion and physical reminder of the nebulous world of legal innovation.

The old fashioned approach was something that came up time and again during the recent Legal Geek conference. The emphasis on the efficiently low-tech, e.g., post-it notes as a collaborative way of generating ideas has seen a revival at tech events. As the Times Law Blawg reported, Shmuli Goldberg of LawGeex said, ‘stop buying legal tech if you are just curious about it, but if you have a problem that needs resolving then do buy legal tech that will resolve it. You are then not just buying legal tech but resolving a problem’. So what is going on?

Book Review: 'Corporate Libraries: Basic Principles in a Changing Landscape’

Confusion reigns in the land of CILIP: Chartered Institute of Library and Information Professionals. What is the difference between people who are mid-career managers, experienced directors, newly qualified solo specialists, or…something else entirely? An email from the largely public and academic library umbrella organisation regarding focus groups got me thinking about why our professional body is struggling with this complicated brave new information driven world. In my view, part of this is due to the perceived differences between public and corporate librarians.

Some insights are inadvertently offered in Constance Ard’s new book ‘Corporate Libraries: Basic Principles in a Changing Landscape’ and it goes straight to the heart of why CILIP is in turmoil. I shall come on to specifics shortly. Firstly, it saddens me that this book wasn’t published by Facet Publishing because, aside from a few gripes, it is one of the most insightful and readable - and expensive - books about the changing role of library and information staff I’ve come across recently. Ard and her team of extremely well qualified contributors set out to explore the way that corporate librarians are instrumental in contributing to the aims and objectives of the companies that employ them.

Where is my Parnassus on Wheels?

Books…I’m not going to tell you precisely how much I’ve spent on books this past three months. Mostly because I don’t know and doing the maths scares me silly. Suffice to say I’m doing my dissertation and to save time, I bought some of the more obscure titles to save me time and having to go to the closed at weekend libraries.

I don’t have an excuse for the latest addition to the Clare Brown Institute but it confirmed a few wacky ideas I’ve been having recently. Picture this.

It’s that mid-afternoon lull, where you have that head fug, poised within a post-tea, pre-coffee vacuum. I’m sat at my desk, struggling with a conference paper. The phone rings and it’s one of my favourite lawyers. As ever he is very enthusiastic. He started by thanking me for my help and then got distracted by things he’d read at the weekend. The first was a story about a young talented writer who died recently. The second was a book that he had picked up randomly.

Book Review: Social Media in the Legal Sector

Although I write about a variety of subjects, some of my recent posts are responding to pockets of social media illiteracy and are mostly aimed at those in the legal world.

Long before getting to grips with content, a new or prospective user needs to acquaint themselves with the technology and the appropriate platform. They need to be confident in their social media abilities, and comfortable that they are not going to destroy a hard won professional legal reputation by a misplaced tweet or a badly written blog post. Social media for business is a commitment of time and money so you need to know whether it is for you.

But if you’re not internet savvy, how do you take that first step? If I need to find out about a new product or unfamiliar social media network, I would search for a quality blog about it, read relevant trade press reviews, or ask my twitter or librarian network. This requires you to be able to identify trustworthy online sources. If you are unsure, then an expensive book published by a reputable legal publisher might be the answer for many lawyers.

Book Review: The Sensuous in the Counter-Reformation Church

This book review is dedicated to the memory of my good friend, Hasan Niyazi. I just wish it had been a book on Raphael, about whom who he knew so much. Thank you for your help my dear...

With every new papal regime the Catholic Church undergoes a subtle change with attempts to re-engage and invigorate the hearts and minds of the faithful. For me, it seems that every fresh endeavour is nothing more than a manifestation of the ripple effect of sixteenth-century reformation Rome, where all means were employed to win back those tempted by the inflammatory protestant sects. A combination of enthusiastic new saints to venerate and an immersive theatrical experience to rival any playhouse would have given the average Catholic quite a jolt, if not a complete sensory overload.

Editors Marcia Hall and Tracy E Cooper bring together a collection of essays which explore ideas of sensuousness in the Catholic reformation church. Each author is a specialist in late sixteenth century religious subjects and well known for scholarly articles and/or monographs. The introduction makes it quite clear that the editors have defined ‘“sensuous” as related to, or derived from the senses, usually the senses involved in aesthetic enjoyment’ (p1). Some essays make reference to sexual pleasure, however they stress that is not their primary focus.

Le banc d'orfèvre : L'électeur de Saxe: Book Review

This collection of essays is the eighth in the National Museum of the Renaissance series of specialist guidebooks. Covering fascinating exhibits such as petit point embroidery from 1570-1610, painted marriage chests or cassoni, renaissance bronze reliefs, and a 16th century Mexican crucifixion triptych, this new volume in the series is dedicated to one item from the museum's collection.

The Elector of Saxony's wire drawing bench arrived in Paris in the late 19th century's when the royal Dresden collection was dispersed after the economic disaster which succeeded the Napoleonic wars. In the 1880s the bench was initially destined for the Musee Carnavalet but when they decided to dedicate it to the history of Paris they looked to sell off the bench and its tools. In a sculptural exchange with the Musee de Cluny, it joined that collection until war broke out in 1939. Afterwards, the Cluny decided to focus on an earlier historic period, so the bench remained in safe storage until 1977 when the dedicated Renaissance museum in Ecouen was opened. From 1981, inspired by 16th century etchings, it was presented to the public as part of a goldsmith's workshop. However in 2010 both its technical and artistic aspects were reappraised and it was put in room reflecting the nature of a prince's kunstkammer - surrounded by beautiful scientific objects. 

Anatomies; or looking inside ourselves

How much of an expert do you have to be to write a book about something? Recently we’ve had physicists writing about biology; chemists writing about history of science, suggesting that if you’re a scientist, you’re qualified to write about something which isn’t your usual field. Is this because scientists are inherently curious? Or is it because a history or personal exploration of a ‘new to them’ area is perceived to be lighter, softer and more popular than their usual specialism? Or are we so consumed by interdisciplinarity that no subject is beyond reach if you have contacts in the right places, access to an excellent library and the confidence to carry it off? I’d still like to know where all the excellent history of science specialists are though.

Anyway I’m going to suspend cynicism in this case and take this new book at face value. Hugh Aldersley-Williams’s engaging and very personal book ‘Anatomies: The human body, its parts and the stories they tell’ is a brief history of the body as seen through various lenses of art history, culture, literature, anecdote and historic scientific obsessions and developments. His interest in the body arose through a gap in his knowledge – like many of us at school, if you wanted to do physics and chemistry, then biology fell by the wayside. Thanks to people like Adam Rutherford, we are aware of the technological advances in biology, genetics, the genome project and so forth, however, as Aldersley-Williams’s points out ‘it doesn't tell us about ourselves in the round’ (p xix). His interest is in looking at the way the body interacts with the world has a whole, the raft of meanings, and taking a wider view of the parts.