This book review is dedicated to the memory of my good friend, Hasan Niyazi. I just wish it had been a book on Raphael, about whom who he knew so much. Thank you for your help my dear...
With every new papal regime the Catholic Church undergoes a subtle change with attempts to re-engage and invigorate the hearts and minds of the faithful. For me, it seems that every fresh endeavour is nothing more than a manifestation of the ripple effect of sixteenth-century reformation Rome, where all means were employed to win back those tempted by the inflammatory protestant sects. A combination of enthusiastic new saints to venerate and an immersive theatrical experience to rival any playhouse would have given the average Catholic quite a jolt, if not a complete sensory overload.
Editors Marcia Hall and Tracy E Cooper bring together a collection of essays which explore ideas of sensuousness in the Catholic reformation church. Each author is a specialist in late sixteenth century religious subjects and well known for scholarly articles and/or monographs. The introduction makes it quite clear that the editors have defined ‘“sensuous” as related to, or derived from the senses, usually the senses involved in aesthetic enjoyment’ (p1). Some essays make reference to sexual pleasure, however they stress that is not their primary focus.
A blog to explore the interests of an original renaissance woman; arts, sciences, poetry, librarianship and everything in between.
Showing posts with label friends. Show all posts
Showing posts with label friends. Show all posts
Monday, 28 October 2013
Sunday, 28 April 2013
Pestles and Mortalities: Pompeii and Herculaneum at the British Musem
This post came to me in the aftermath of a host of sensory experiences; the scent of fresh garlicky flavours being pounded out by a granite pestle and mortar, whilst the images of an emotionally exhausting exhibition were still pricking at my eyelids. Though these two seem far apart the connections, inevitably, were there.
The Pompeii exhibition at the British Museum has taken Roman everyday life and made it seem as fresh and modern as if they were walking down the streets now, today, tomorrow. After the pomp and splendour of Hadrian, here the curators have instead focused on living arrangements, family life, relaxation, domestic objects and simply allow us explore what it was like to live in a provincial Roman town. What comes across primarily is the sheer sense of fun and humour; the phallic lamps and good luck charms, playful graffiti and garden ornaments. They are, to modern minds, as unsubtle as they are beautifully crafted.
The Pompeii exhibition at the British Museum has taken Roman everyday life and made it seem as fresh and modern as if they were walking down the streets now, today, tomorrow. After the pomp and splendour of Hadrian, here the curators have instead focused on living arrangements, family life, relaxation, domestic objects and simply allow us explore what it was like to live in a provincial Roman town. What comes across primarily is the sheer sense of fun and humour; the phallic lamps and good luck charms, playful graffiti and garden ornaments. They are, to modern minds, as unsubtle as they are beautifully crafted.
Labels:
art,
British Museum,
death,
exhibitions,
families,
food,
friends,
gardens,
Italy,
life,
Pompeii,
Romans
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