Love pain

Pain intentional
Quickening nothing
Making heart wrench


Deep slicing
Hurt darkening
Not finding a way


Blissful emptiness
Longing for releases
Deafening capsules


Not going away
Intentional harm
Droplets ooze


Screaming ache
Of darkness calling
Pain intended

Detachment

An introspective greyness
Bodies hunched
Wading through damp air

Daytime misery of society
Brought unwillingly
Into reluctant light

Concrete ribbons leading
To serene glass heights
Contents marching emptily

Those who haven't, gaze
Seeing or unseeing
Eyes unreadable souls detached

Those who have, gaze
And don't see purposefully
Willing slaves to this dank world

Losing My Focus: Thomas Ruff's ma.r.s photographs

The geometric serenity of Ben Nicholson’s white 3D sculpture pictures have been haunting me since I saw them yesterday lunchtime. The clever formation of shadowed curves and lines in his pieces are subtle and ever changing depending on the direction of the light. We constantly have a need for perceptions to be challenged, viewpoints shifted and the unexpected to be just around the curve, hidden from sight. 

Unlocking the Universe: Off prints and scientific publishing

I’ve been following the arguments surrounding the publishing of scientific research with interest; what the Guardian are calling an ‘Academic Spring’. Since the Wellcome Trust, in conjunction with The Howard Hughes Medical Institute and the Max Planck Society ‘announced they are to support a new, top-tier, open access journal for biomedical and life sciences research’, various academics have come out very much in favour of freely accessible research papers. Recently mathematicians have taken matters into their own hands and thrown down the gauntlet in front of Elsevier publishing. This has major implications for academic libraries and the renegotiation of journals contracts. I will continue to monitor this from a professional stand point.