Thoughts on ​Art, Funding and Conflict

Storm clouds gathering

Apparently some small world events have broken out whilst I've been studying. Thankfully my work enables me retain some semblance of a connection with the news, through reading the papers and having vaguely intelligent conversations with colleagues.

One of these colleagues is an interesting outspoken individual with some strong views. A lawyer, with strong views? Yes I know, most strive to be beyond bland but there are some out there willing to stick their neck out.

We disagree on many things. Our most recent putting the world to wrongs is the Palestine/Israel conflict, about which we profoundly clash. He has familial, emotional, and I guess, client ties to Israel; whereas I am merely a relatively well informed onlooker with horrified and baffled sense of unease about the whole bloody conflict. In my view, the forces on neither side are particularly pleasant, and I feel that there are powers working behind the scenes to prolong the agony of the average person on the war torn streets.

War, memory and museums

Of all the lectures so far this one interested me the most even though some of the ideas Dr Gabriel Koureas presented I want to argue with. I remember being deeply affected by a visit to the Imperial War Museum's Holocaust galleries, as well as visiting the Wiener Archives earlier in the year, so I read the entire suggested lecture journal/book list with fascinated interest.

'Traumatic recall is full of fleeting images the percussion of blows, sounds and movement of the body' wrote Roberta Coulson in 1995. Ordinary memories are something we can recall or narrate however this is not the case with traumatic memories. There is a break in the narrative. Someone who experiences war finds it hard to construct a narrative for that event. They experience embodied flashbacks/memories.