Revelations in glass

Eleanor Morgan

It's been my intention to write and record something about glass for a while now, primarily looking at it from a combined scientific and contemporary art point of view. For instance, Luke Jerram's mysterious shapes of viruses - ebola, MRSA and swine flu - crafted from glass, or the sculpture made from glass laboratory implements recently exhibited in the Wellcome windows. Then recently there was the stunning Glass Delusions at the Grant Museum which was partly inspired by nature's foray into silica based organisms. The inexplicable and unique scientific nature of glass makes it a perfect material of artistic endeavour, able to capture fragility, a human moment of stillness in a medium of movement.

It's All About Us: The Importance of Embedded Librarianship

Sometimes it is only with hindsight that you realise you’re going about things the right way, professionally speaking. Over the past year I’ve been reflecting on how the law library profession has changed over the last two decades. When I concluded that ‘I like to think of library services being an 'information centre'; we are at the centre of the firm and information revolves around us, whilst we ensure it gets to the right place’, I had no idea that I was describing embedded librarianship. Although I was actually referring to communications, the latest SLA event on the 20th April at the Sage offices emphasised the importance of physically being in the middle of things.

We heard two very different speakers; Jacqueline Beattie, Information Services Lead at Neftex Petroleum Consultants Ltd, and Genny Franklin, Clinical Librarian at Barts Health NHS Trust. Both offered a tale of embedded librarianship in their respective fields: geoscience and obstetrics and gynaecology. A brief overview of their roles and their employers will inevitably draw out differences between the two roles, but there are inherent similarities. And it was these similarities to which I found myself nodding my head.

Dresden Conference: Thinking Critically about Curiosity

Donna Roberts's paper set out to encourage us to think critically about curiosity. The world appears to have rediscovered 'cabinets of curiosity' in a big way over the past few years, turning it into the hackneyed phrase that we'd already noted. Although broadly speaking, the modern love of curiosity and rediscovering the love of 'odd collections' is a good thing, the problem with such popularity is the blurring of terminology and lack of critical thinking. To illustrate this point, the article, Museum of Curiosity set to ignite wonder with collection of 'weird' objects, stated that 'un-poetically branding his catalogue of curiosities as “weird shit”, Snelle is purveying objects all sorts of objects from the natural and man-made world'.

 

The Art of Writing; Or the Science of Writing

'Stop it with all the damn metaphors'
Kirk to 'Bones' McCoy in irritated exasperation 
Star Trek: Into Darkness (2013)

Science writing has held a peculiar interest for me this week, given my Trekkie credentials. I've seen the new Star Trek movie twice and have contemplated buying the original 'Wrath of Khan' to compare the change in writing and production styles. However for the purposes of these notes, the quote above is the perfect introduction to the Birkbeck Science and Writing Symposium, 21 May 2013.

A universe of cheese and worms

A rare group of people – two poets, a playwright, an astronomer, a science/history/cultural academic, two actors and a cartoonist - were brought together not just to discuss the way they communicate their ideas but to actually demonstrate and showcase their skills. I’m not going to simply narrate what each person said but try to highlight themes. What I must say is, so often at academic symposia the emphasis is on the presentation of paper after paper with little or no presenter animation. No matter how interesting the topic, my eyes glaze over eventually but not here, not this time, we were off; starting with the Big Bang. Before I come on to the themes, I want to dwell a little on the poets and their poetry.

Hearts of Florence

It's almost Valentines Day and warmth, Spring sunshine, tiny fluttering love birds (sparrows if I'm being honest) are in evidence in Florence. Being of a romantic disposition, I found the coldest and dampest museum possible, and was immediately drawn to the stone, metal and broken hearts of New York based contemporary artist Janice Gordon.

Exhibiting the body: Seminar notes

I have been grappling with space for weeks so the thought of examining the art/science of the human body was appealing, something on a scale which which I am familiar. To look inward rather than outward reflects Renaissance notions of 'as above so below', macrocosm to microcosm. However The Body is obviously turning out to be just as vast as space. Inevitably and wonderfully. 

These notes condense two seminars and introduce central themes of the module. Interestingly, despite a thematic spread across the ten weeks, there is still a feel of an artistic narrative in the images/sculpture we have been discussing, perhaps reflecting the linear explanation of medical/anatomical developments, e.g., starting with Leonardo and Vesalius through to Jo Spence and John Isaacs. Timelines have also been handed suggesting a coherent structure is required in this area of art history. A skeleton of dates, requiring the flesh of artistic endeavour, perhaps...