Dresden Conference: Wildgoose Memorial Library

From theoretical surrealist curiosity to artistic rational enquiry, Jane Wildgoose's presentation on the work which has arisen from her 'Memorial Library' was rather interesting. I must confess to being rather sceptical at first because I wasn't sure where she was going, but in the end, the light she shed on national museums' archives was both shocking and influential on her work. I don't want to dwell too much on her own collection because, for me personally, this is the part about which I feel most ambivalent. I appreciate that her library of objects is meaningfully and obsessively collected, as well as being catalyst for her research, but I feel unhappy critically examining her collection here. I merely salute her, and suggest you look at her website.

Data Protection and Access to Information: An IALS Lecture

I attended the Institute of Advanced Legal Studies 'Data Protection Act 1984, Freedom of Information Act 2000: thirty and fifteen years on – perspectives on the past and prospects for the future' yesterday evening. The talk, as you'd expect from a university event, was quite academic. I'm used to library/legal events where lawyers/PSLs offer practical solutions to difficult legislation, but it was interesting to hear a different take.

This lecture acknowledged the awkwardness of the various conventions, directives, acts etc., which go to make up the legislative framework of data protection/access to information. There were some interesting insights simply because (shock horror) I'm not aware of the history of data protection, and I had never thought about why 'freedom of information' was actually a complete misnomer. It should be 'a right to access administrative documents' legislation. 

Dresden Conference: Thinking Critically about Curiosity

Donna Roberts's paper set out to encourage us to think critically about curiosity. The world appears to have rediscovered 'cabinets of curiosity' in a big way over the past few years, turning it into the hackneyed phrase that we'd already noted. Although broadly speaking, the modern love of curiosity and rediscovering the love of 'odd collections' is a good thing, the problem with such popularity is the blurring of terminology and lack of critical thinking. To illustrate this point, the article, Museum of Curiosity set to ignite wonder with collection of 'weird' objects, stated that 'un-poetically branding his catalogue of curiosities as “weird shit”, Snelle is purveying objects all sorts of objects from the natural and man-made world'.

 

Dresden Conference: 'I was looking for bog people in Copenhagen' - the work of Rosamond Purcell

All Things Strange And Beautiful

I must confess to bunking off Robert Felfe's probably excellent second session presentation on 'ordnungsraum and labyrinth' because it was in German, and I'm not sure if I even understood the English abstract. My fault, not his. So I went off with a Hochschule student to see her term's work on smoke. It was interesting, and the photos of asphalt stuck on to the bumpy wall was rather effective. Reminded me of ash...

 

Once I'd rejoined the group after refreshments, we entered into the artistic and poetic realm of Rosamond Purcell and the shadow of things. As we saw from the first panel discussion, the conference organisers were keen to ask contemporary artists to speak about their art, not just art historical scholars.