Croatian Art on the Horizon: Lecture by Vanja Žanko

Cursed Crew (2013)

I took my new language on an artistic field trip to Wandsworth on Tuesday evening. Kristin Hjellegjerde's gallery was hosting an event under the auspices of the Creative Croatia Festival, and people with an interest in the Croatian art scene were there to hear freelance curator Vanja Žanko speak. She not only spoke about her curatorial work with various international artists but offered an insight into the artistic world in Zagreb, and Croatia more generally.

It seemed appropriate to talk about artists and their position as antenna of current events against Kirsten's current exhibition of Ethiopian artist Dawit Abebe. In his large scale, enigmatic yet colourful canvases, he explores the conflicts that can arise when history and technology collide. Although he is talking about his own culture, he is placing it against a broader international context, as he says, 'Ethiopia, like many developing countries, has struggled with the impact of technology and modernisation and its place within a long and rich local heritage and culture'. And that is precisely what Vanja is interested in.

It's All About Us: The Importance of Embedded Librarianship

Sometimes it is only with hindsight that you realise you’re going about things the right way, professionally speaking. Over the past year I’ve been reflecting on how the law library profession has changed over the last two decades. When I concluded that ‘I like to think of library services being an 'information centre'; we are at the centre of the firm and information revolves around us, whilst we ensure it gets to the right place’, I had no idea that I was describing embedded librarianship. Although I was actually referring to communications, the latest SLA event on the 20th April at the Sage offices emphasised the importance of physically being in the middle of things.

We heard two very different speakers; Jacqueline Beattie, Information Services Lead at Neftex Petroleum Consultants Ltd, and Genny Franklin, Clinical Librarian at Barts Health NHS Trust. Both offered a tale of embedded librarianship in their respective fields: geoscience and obstetrics and gynaecology. A brief overview of their roles and their employers will inevitably draw out differences between the two roles, but there are inherent similarities. And it was these similarities to which I found myself nodding my head.

#PaintingParadise: The Art of the Garden at the Queen's Gallery, London

From the natural open space of Green Park to the ordered splendour of Russell Square, it is hard to avoid London's parks and gardens. Open to all and offering different atmospheres to please all tastes, they ensure the sanity of tourists and locals alike, as well as inspiration to the most jaded of writers. When I saw the underground poster for the Queen's Gallery's exhibition 'Painting Paradise: The art of the garden', I was unconsciously lured by the well dressed young man's relaxed pose under a tree. Now I've seen that exquisitely tiny painting in its gold frame, I understand my response; it's spring. The sap is rising and simply put, sex sells, and sex is to be found in many of the painted gardens on show.

Clare Goes on a Bitchy Rant

My first non-librarian/KM conference is finally over. My experience was mixed; I'm returning with a phone full of Evernotes and a head overflowing with as yet jumbled ideas. I've not really assessed the learning yet because it's rather daunting and I've no clue where to start. But never have I encountered such cliquey unfriendliness, and in some cases pure discouraging rudeness.

Academia has a problem. You only have to regularly read the Times Higher Ed and realise that the humming halls of learning disguise a bearpit of competition, backstabbing and secrecy. I'm an outsider in this world, just standing on tiptoes looking in, like a child at a window listening to warring parents. And I've no wish to join this dysfunctional family in a professional capacity. My library training and natural inclination is for openness, collaboration, and making room for new ideas from external influences and as such, I'm clearly unwelcome.