The Sounds of Dubrovnik

I don't usually write about music because I find it extraordinarily difficult to articulate, unless in poetry. When I have talked about sounds, it's usually in the context of sound art, which is an entirely different thing. However music and musical inspiration has been unavoidable since I arrived in one of my favourite cities. 

I've forsaken my usual podcasts or music, and left off the headphones which are usually worn to protect my sanity. However the usual London assault on my hearing and consciousness is conspicuous by its absence. The last intelligible commotion was on the plane where a rowdy group were commencing their holidays. Since then it's been a babble of many languages, the frantic cry of swifts, the gentle burble of boats on water, and the clack of feet on marble.

All cities have their percussive chant; London is probably best described as a continuous high octane techno-trance-electonica, pumping out its noise like the recent illegal rave held on my street. The contrast to London, this other ancient city still feels like it moves to the creak and roll of the ships; or the beat of the Roman trireme. Yes there is a pulse but felt in the stillness of the upbeat. So to lose this anticipation of a different song would be most churlish. So the headphones remain unworn.

A New Chapter: Enter the Podcast!

I've finally done it. It's taken me nearly two months but I have just gone live with my first ever podcast. This has been a new experience for me because I'm so text based and afraid of the sound of my own voice. It turns out that I have no need to worry, thankfully, I don't sound like a complete idiot.

The process has been interesting and extremely time consuming. A blog post is usually 500-800 words, longer when I am working on an essay. But when you want 15-20 minutes of spoken effort, you need nearly 2500 vaguely coherent words. On the bright side, although some research is required, it's not like doing anything academic because I want to keep it interesting and above all, accessible. Therefore writing a script took almost an entire month, given work and life interruptions.

The Future of Law Again: #LexisNexis

LexisNexis is the in the business of tracking and working with the legal market because it recognises the huge potential for profit. Although lawyers still need primary material ‘the law’, publishers see the benefits of not only adding value to this raw material, but also developing efficiency driving tools. These rough notes came out of a Product Adoption Advisory Board meeting, and nothing here identifies anyone who came along.

The vision that LexisNexis has for the future of law is, for many places, already here. Lawyers can work flexibly with a virtual presence anywhere in the world, are able to communicate with clients over instant messaging services and collaborate with colleagues using the cloud. As they noted today, all legal requirements regarding confidentiality, data protection, and regulated industries are appropriately observed.

Croatian Art on the Horizon: Lecture by Vanja Žanko

Cursed Crew (2013)

I took my new language on an artistic field trip to Wandsworth on Tuesday evening. Kristin Hjellegjerde's gallery was hosting an event under the auspices of the Creative Croatia Festival, and people with an interest in the Croatian art scene were there to hear freelance curator Vanja Žanko speak. She not only spoke about her curatorial work with various international artists but offered an insight into the artistic world in Zagreb, and Croatia more generally.

It seemed appropriate to talk about artists and their position as antenna of current events against Kirsten's current exhibition of Ethiopian artist Dawit Abebe. In his large scale, enigmatic yet colourful canvases, he explores the conflicts that can arise when history and technology collide. Although he is talking about his own culture, he is placing it against a broader international context, as he says, 'Ethiopia, like many developing countries, has struggled with the impact of technology and modernisation and its place within a long and rich local heritage and culture'. And that is precisely what Vanja is interested in.