Knowledge Management: Building blocks and knotty problems

I went on a Knowledge Management course and seeing as everything I do is managing information and spreading the knowledge, I thought I'd put my notes down here. It's not arty or anything but I found it interesting.

Introduction

Knowledge Management means different things in the context of each organisation and the definition has to be agreed at management level. But basically it’s about managing the intellectual assets of the firm/company which can take the form of documentation, expertise, communities, departments, conversations and collaborations – the effective sharing of creative knowledge.

For it to work properly people have to be engaged and given that people always know more than they say, it is challenge to get the information flowing around the organisation. We – collectively - have to create a knowledge environment that will take all the data and information and turn it into knowledge. This has little/nothing to do with technologies.

Enchantment

Window on the stars
Light absorbing eyes
Shining in delight
Wondrous, stirring, deep.

Points of light
Some real
Some reflect
Reaching out forbidden.

Edges cracking silently
Semi opaque
Fluid enchantment
Dark, delving, endless.

On Stanislaw Libensky and Jaroslava Brychtova 'Arcus 1' (1991)

Magnum Photo Agency: ‘No rules, just photographers telling stories’

'No rules, just photographers telling stories’ is essentially the Magnum Agency motto.

Their vast online archive is crammed full of images of momentous world events in the past 65 years; fall of the Berlin Wall, the Spanish Civil War, Tienanmen Square, the mass mourning at Princess Diana’s funeral, and any modern conflict – Chechnya, Iraq, Arab Spring. Then it’s not just events but well known individuals; actors on film sets, politicians of all persuasions and who could forget that Afghan girl with the green eyes? Their international reputation enable them to document NGO aid missions, raise awareness of health issues and provide photo-commentary to what might otherwise be overlooked by the traditional press.

Set up as a photographers’ collective in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger and David 'Chim' Seymour, they were determined their work should remain their own rather than giving up control of copyright and context to magazines for which they were working. In setting up their own agency (named after a magnum of champagne), they could not only license the images and control how they were used but go on to use spare funds to ‘support the production and the independent vision of its individual photographer members’.

Formula 1: Doing things artistically at speed

Sometimes my impetuosity and ability to do things at speed leaves my friends reeling. There is nothing more exasperating (apparently) than being left dazed and confused in my slip stream as I go off on another diversion; usually followed by alarums and excursions in way or another.

My whirlwind tendencies, combined with the freezing weather, suggested that I should review an exhibition very close to home. So I popped unexpectedly downstairs from my office (with a cup of tea), had a gossip with the receptionist and spent an exhilarating few moments in the Collyer Bristow exhibition.

For 2 weeks only (catch it quickly) Darren Heath presents some of his best photographs from the 2011 Grand Prix season. This award winning photographer ‘specialises in Formula 1 and the automotive industry, endeavouring to cover events and commission in a creative and artistic manner using natural light and colour to their maximum effect’. Images of all the recent Formula 1 drivers are in evidence – Lewis Hamilton, Jensen Button, Fernando Alonso, and their teams, as well as the tracks and cities which play host to these annual races.