Oh, you bards of old with your tales
Of changes, voyages and wars!
How easy it is to imagine you
Looking around and listening and taking
Dictation from gods direct.
The sea invites the intrepid,
Rocky inlets to shelter the brave
To moor safely and trees to shade.
Lighting fires for home hearths and gather
Telling eternal stories of might.
The hills encourage the hardy;
Neither shelter nor cave is seen
The loneliness of black speck soars.
Still, the grey scrub offers scented breeze
A perfect stage for those ancient giants
As the sky darkens and storms roll by
Violet flashes illuminate the bay
Where are you now, oh bards of old?
Spin us your threads, carve us your heros
A night like this speaks your thunder.
A blog to explore the interests of an original renaissance woman; arts, sciences, poetry, librarianship and everything in between.
Sunday, 22 July 2012
Saturday, 21 July 2012
Encounters: Hilary Mantel at the National Gallery
It seems that the National Gallery is busily knitting threads between all the different London arts. There is the incredible Metamorphosis: Titian 2012 exhibition which is the product of a successful collaboration between the Royal Ballet, contemporary artists, poets, composers and choreographers. In addition to this, the Gallery has also been encouraging modern writers to consider how they look at and write about art in 'Encounters: Writers on Writing about Art'. The first was by Edmund de Waal, the second (which I missed) was James Elkins and the final one last night was Hilary Mantel.
Where de Waal used modern, impressionist art to provide a psychological insight into his family history, Hilary Mantel was haunted by the lush materiality of Holbein's 'The Ambassadors'. It was an image that she and her husband took everywhere; a constant link with home and always the first thing on the wall in a new place. She liked to think of Jean de Dinteville and his friend Georges de Selve looking down at sights that they couldn't have possibly imagined and she was inspired by their vital presence and worldly sophistication.
Where de Waal used modern, impressionist art to provide a psychological insight into his family history, Hilary Mantel was haunted by the lush materiality of Holbein's 'The Ambassadors'. It was an image that she and her husband took everywhere; a constant link with home and always the first thing on the wall in a new place. She liked to think of Jean de Dinteville and his friend Georges de Selve looking down at sights that they couldn't have possibly imagined and she was inspired by their vital presence and worldly sophistication.
Wednesday, 11 July 2012
Strange Hungers: Strange thought processes
A good exhibition should spark a thought which sets your
whole mind alight, a beacon of artistic ideas, illuminating a world of
experiences and memories. Today an artist set me thinking
about feminism or being a feminist. It’s not a fashionable term or label but as
an intelligent thoughtful human, I take it for granted that women can participate
fully within society. The merest suggestion I can or can’t do something because
of my sex, is for me, a ridiculous idea.
Sunday, 8 July 2012
Mary, Mary Quite Contrary
And now for something a little more personal again. My saintly diet went on holiday for the weekend. I shall loftily call it a religious retreat as there was a christening involved. And wine. For those interested in the state of my diet grace, we had a lovely light pasta dinner on Friday, then a Saturday Chinese, followed by a buffet lunch on Sunday with rather yummy sparking wine.
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