Saturday, 8 September 2012

Jury Service

I meant to post these poems ages ago. They were inspired by jury service and progress from the waiting around, to the case and finally the feelings I was left with at the end.


Waiting

A boredom of faces wide in types
Some simply vacantly staring
Many in REM
Others engrossed in curly eared novels
Or Nintendo games

The silent hum of patient people
Punctuated by terse tannoy
A call to attention
Read instructions guaranteed somnambulance

Suddenly over
A shift in gear and queues form quickly
Confusion. A puzzled face
People promptly depatched
I'm still sat here waiting listening to snores
Wish I was at work!



The Case

'I didn't mean to stab him til I stabbed him'
Pronounced the irresponsible immature
Alcoholic
Living separately together in family unit

'I did it in self defense'
Continued the gentle non aggressive
Best friend
Who shows no sign of injury

How much force to penetrate an ear?
How much force to puncture a lung?

'I remember nothing'
Announces the confused life saver life taking
Brother
With bloodstains engraved on his soul

'I don't know where I put the knife'
Evades the scared ill advised unfortunate
Young man
With the knife in his pocket

'I went downstairs to see if everything was ok'
Reflected the worried, shocked, vacant
Murderer
Who knelt to breathe life into bloodied lungs

How much blood in chest cavity to kill?
How much air to escape until life extinct?


The Sentence

No words to describe
The grief
Caused by that responsibility

'Take him down'

Reverberates
Resonates
No escape
Locked together for life


Life, Death, Sex: Ovid in music

Now I am ready to to tell how bodies are changed into different bodies
So starts Ted Hughes's translation of the Metamorphoses. This great work has not been out of fashion since it was written over 2000 years ago. A perpetual reminder that we are fascinated by the stories of human passion and obsession, as well as exploring the whimsical caprice of gods and goddesses. At the heart of the poem is 250 stories of change, told with a lightness of touch and linguistic depth comparable with the parables of the bible. Stories that take difficult ideas and transform them so that anyone can understand them; human complexities distilled into perfect concentrated capsules awaiting release.

Monday, 27 August 2012

Art History: Back to basics part two

Here is the second part of the test, called Approaches. I may have cried doing part of this because it made my brain hurt. I think it was ultimately rewarding though and once again I used the internet only in an emergency - rediscovering  indexes and glossaries.

Can you explain what the following terms mean: chiaroscuro, the gaze, iconography, the canon, ekphrasis, polyptych, hegemony, contrapposto, readymade, paradigm? (You should be aware that some of these terms are not narrowly art-historical but are also used in scholarship in the humanities more generally).

Chiaroscuro: Italian technical term meaning light/shade, used especially when they are strongly contrasting. Joseph Wright of Derby in his paintings of scientific experiments makes full use of the dramatic effects of light and dark. 

Sunday, 26 August 2012

Art History: Back to basics part one

As preparation for further Art History study, I thought I would attempt some questions posed by the Open University. There are two parts to the test, Information and Approaches. I've started with Information. As a further challenge, only emergency Internet was used in the answering of these.

What is meant by the hierarchy of the genres? Can you give an account of its origins and development?

The hierarchy of the genres was evidence of the rationalising methods of the European fine art academies (17th century -) who taught that types or genres of paintings were arranged in a hierarchical order.