These notes condense two seminars and introduce central themes of the module. Interestingly, despite a thematic spread across the ten weeks, there is still a feel of an artistic narrative in the images/sculpture we have been discussing, perhaps reflecting the linear explanation of medical/anatomical developments, e.g., starting with Leonardo and Vesalius through to Jo Spence and John Isaacs. Timelines have also been handed suggesting a coherent structure is required in this area of art history. A skeleton of dates, requiring the flesh of artistic endeavour, perhaps...
A blog to explore the interests of an original renaissance woman; arts, sciences, poetry, librarianship and everything in between.
Wednesday, 16 January 2013
Exhibiting the body: Seminar notes
I have been grappling with space for weeks so the thought of examining the art/science of the human body was appealing, something on a scale which which I am familiar. To look inward rather than outward reflects Renaissance notions of 'as above so below', macrocosm to microcosm. However The Body is obviously turning out to be just as vast as space. Inevitably and wonderfully.
Tuesday, 1 January 2013
New Year 2013
Shores of emotion
Reflected in light
Explosions to take us
Into the future
Swelling of crowds
Noise increases
Excitement of unknown
Out of this world
Climactic bursts
Tensions are high
Pulsating thrashing
London's ablaze
Reflected in light
Explosions to take us
Into the future
Swelling of crowds
Noise increases
Excitement of unknown
Out of this world
Climactic bursts
Tensions are high
Pulsating thrashing
London's ablaze
Saturday, 15 December 2012
Solid Sodium
Solid bodies under soft sodium hue
Moving swiftly in shades of orange.
As fast as they can, seeming oblivious
An unnoticed shadow scurries behind
Sometimes ahead, sometimes three;
People melt past in unconscious dance
Of black, pale and paler as light's cast
Circling, stretching, gracefully arching
A spectrally synchronised pas de trois
Moving swiftly in shades of orange.
As fast as they can, seeming oblivious
An unnoticed shadow scurries behind
Sometimes ahead, sometimes three;
People melt past in unconscious dance
Of black, pale and paler as light's cast
Circling, stretching, gracefully arching
A spectrally synchronised pas de trois
Friday, 14 December 2012
Belief suspended at the RAI
Pain. Some will go out of their way to avoid it, making use of all medical science to dull the sensations and make the feeling go away. Even the medical terms used euphemise it; a 'sharp scratch', 'mild discomfort' ensure that you are safely cocooned and protected from negativity. I don't pretend to know about chronic pain...I'm lucky, but there are migraine moments when my head, neck and eyes are clenched in stomach churning agony. It is a normal reaction for me to blindly reach for pain relief and sink into a proper sleep.
Except secretly I don't always immediately take tablets. I don't know why and I've never really questioned this but to lie there and feel the familiar ache is both comforting and oddly rhythmic. Without that monthly incredible river of brain sickness on that right hand side, I'm not sure how I'd feel. I consciously and carefully explore what is going on in my body observe the blood pumping into a furnace like head and wonder how much I can take. No, this probably isn't rational but a lecture last night gave a vague insight into what might be going on.
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