Vikings at the British Museum

This afternoon I was lucky enough to be a part of the advance rape and pillage expedition to the new Sainsbury wing of the British Museum. The Viking show which opens 6th March is the first major exhibition on these fascinating people at the British Museum for over 30 years. The press release says that 'it features many new archaeological discoveries and objects never seen before in the UK alongside important Viking Age artifacts from the British Museum’s own collection and elsewhere in Britain and Ireland'. They continue, 'new interpretations place warfare and warrior identity at the centre of what it meant to be a Viking; cultural contact was often violent, and the transportation of looted goods and slaves reflects the role of Vikings as both raiders and traders'.

Ghost Ship

A ghost ship of rivet dots

Pattern of metal unjointed

A warrior's ferocious footprint

Orderly curves follow the lines

Orderly place as flesh turns

To chaos rot and soil red

Metal rusted into orange

Metal blooded but still here

To carve a shape in time

The host ship carried its crew

Pattern of body disappears

A warrior's honorable departing

On the non existent burial boat of a warrior 

Viking Exhibition, British Museum, 2 March 2014

Some More Social Media Sites

This blogpost came out of a work related article commission to examine recent developments and potential risks of various social media. I published my initial thoughts earlier in the month. They asked me to so the same sort of thing with the more popular sites so I briefly investigated Facebook, LinkedIn and Twitter.

Incidentally I found the DMR blog extremely useful in tracking the various stats.

Facebook

There can’t be many people who haven’t heard of Facebook. If you aren’t one of the 1.26 billion users worldwide, they are rarely out of the press. Even our language has assimilated Facebook-inspired changes in meaning; ‘to friend’ - to connect with another Facebook user, or ‘to poke’ - to get the electronic attention of a friend. 

Eyes of Gods: The Interiority of Sculpture

Reconstruction of Zeus

These notes continue on from the lecture on idols. The boundaries between gods and idols are rather blurred; both have a persuasive presence and share the same kind of sacred space. They are not just representations, but for the people who worship them, they are real. This reality demonstrated in the art of the sculptor through application of colour, surface articulation, movement etc. This is the art of hidden depths (real or implied). All idol elements, dressing them etc, are at one level designed to create an inner life/have inner power for the statue. They are containers of something non-physical. 

This inner power is conveyed through their 'voice' as well as through the eyes. The Egyptian Colossi of Memnon started to make a noise after being damaged by an earthquake. They became famous because they realised the possibility of an interior voice. The skill of a sculptor is to make a figure look like it is on verge of speaking, making them articulate in both physical and spiritual form.