It has been said that ‘information is the lifeblood of law and the legal profession’. And to this I would like to add, law firms continue to be the flesh and muscle of the body of knowledge which they make available to clients; good lawyers turn that information into business knowhow. Anatomical analogies are a personal favourite and perhaps to stretch this one, everyone is trying to extract a pound of flesh from the legal corpus as a whole. From clients expecting discounts, lawyers squeezing suppliers and suppliers driving hard bargains, everyone is at it.
A blog to explore the interests of an original renaissance woman; arts, sciences, poetry, librarianship and everything in between.
Saturday, 18 May 2013
Saturday, 4 May 2013
Cages
Take this pain of loss away
How can such a solid heart thudding
Maintain such a pounding, seemingly
Beating faster and intense to make
Blood whir and head ache, fit to burst
Take this empty hollowness away
And fill the space of phantom heart
With quiet. Not disquiet of red dark
But the tranquility of blue and green
Blurring eyes dart, panic, too much
Take this ceaseless sickness away
And ease the sealike turmoil to lend
Calmness. Allow distressed breath
To fade, send conscious signals
Making sleep come and pain recede
Nothing will take this loss away
To lose it now would seem loss of me
But familiar discomfort of missing limb
Still tortures as fresh now as then
Still caged within, empty, pounding pain.
How can such a solid heart thudding
Maintain such a pounding, seemingly
Beating faster and intense to make
Blood whir and head ache, fit to burst
Take this empty hollowness away
And fill the space of phantom heart
With quiet. Not disquiet of red dark
But the tranquility of blue and green
Blurring eyes dart, panic, too much
Take this ceaseless sickness away
And ease the sealike turmoil to lend
Calmness. Allow distressed breath
To fade, send conscious signals
Making sleep come and pain recede
Nothing will take this loss away
To lose it now would seem loss of me
But familiar discomfort of missing limb
Still tortures as fresh now as then
Still caged within, empty, pounding pain.
Sunday, 28 April 2013
Pestles and Mortalities: Pompeii and Herculaneum at the British Musem
This post came to me in the aftermath of a host of sensory experiences; the scent of fresh garlicky flavours being pounded out by a granite pestle and mortar, whilst the images of an emotionally exhausting exhibition were still pricking at my eyelids. Though these two seem far apart the connections, inevitably, were there.
The Pompeii exhibition at the British Museum has taken Roman everyday life and made it seem as fresh and modern as if they were walking down the streets now, today, tomorrow. After the pomp and splendour of Hadrian, here the curators have instead focused on living arrangements, family life, relaxation, domestic objects and simply allow us explore what it was like to live in a provincial Roman town. What comes across primarily is the sheer sense of fun and humour; the phallic lamps and good luck charms, playful graffiti and garden ornaments. They are, to modern minds, as unsubtle as they are beautifully crafted.
The Pompeii exhibition at the British Museum has taken Roman everyday life and made it seem as fresh and modern as if they were walking down the streets now, today, tomorrow. After the pomp and splendour of Hadrian, here the curators have instead focused on living arrangements, family life, relaxation, domestic objects and simply allow us explore what it was like to live in a provincial Roman town. What comes across primarily is the sheer sense of fun and humour; the phallic lamps and good luck charms, playful graffiti and garden ornaments. They are, to modern minds, as unsubtle as they are beautifully crafted.
Labels:
art,
British Museum,
death,
exhibitions,
families,
food,
friends,
gardens,
Italy,
life,
Pompeii,
Romans
Tuesday, 23 April 2013
Passez-moi l'absinthe...
Le banc d’orfèvre |
It continues, 'the Research Project is principally concerned with the PROCESS of research rather than solely with the RESULTS of that process. It might have a practical or applied focus, for example, it could be based on a museum or a gallery, an exhibition or arts policy. Or it might focus on a particular work of art that explicitly raises questions of interpretation'.
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