The Sounds of Dubrovnik

I don't usually write about music because I find it extraordinarily difficult to articulate, unless in poetry. When I have talked about sounds, it's usually in the context of sound art, which is an entirely different thing. However music and musical inspiration has been unavoidable since I arrived in one of my favourite cities. 

I've forsaken my usual podcasts or music, and left off the headphones which are usually worn to protect my sanity. However the usual London assault on my hearing and consciousness is conspicuous by its absence. The last intelligible commotion was on the plane where a rowdy group were commencing their holidays. Since then it's been a babble of many languages, the frantic cry of swifts, the gentle burble of boats on water, and the clack of feet on marble.

All cities have their percussive chant; London is probably best described as a continuous high octane techno-trance-electonica, pumping out its noise like the recent illegal rave held on my street. The contrast to London, this other ancient city still feels like it moves to the creak and roll of the ships; or the beat of the Roman trireme. Yes there is a pulse but felt in the stillness of the upbeat. So to lose this anticipation of a different song would be most churlish. So the headphones remain unworn.

A New Chapter: Enter the Podcast!

I've finally done it. It's taken me nearly two months but I have just gone live with my first ever podcast. This has been a new experience for me because I'm so text based and afraid of the sound of my own voice. It turns out that I have no need to worry, thankfully, I don't sound like a complete idiot.

The process has been interesting and extremely time consuming. A blog post is usually 500-800 words, longer when I am working on an essay. But when you want 15-20 minutes of spoken effort, you need nearly 2500 vaguely coherent words. On the bright side, although some research is required, it's not like doing anything academic because I want to keep it interesting and above all, accessible. Therefore writing a script took almost an entire month, given work and life interruptions.

The Future of Law Again: #LexisNexis

LexisNexis is the in the business of tracking and working with the legal market because it recognises the huge potential for profit. Although lawyers still need primary material ‘the law’, publishers see the benefits of not only adding value to this raw material, but also developing efficiency driving tools. These rough notes came out of a Product Adoption Advisory Board meeting, and nothing here identifies anyone who came along.

The vision that LexisNexis has for the future of law is, for many places, already here. Lawyers can work flexibly with a virtual presence anywhere in the world, are able to communicate with clients over instant messaging services and collaborate with colleagues using the cloud. As they noted today, all legal requirements regarding confidentiality, data protection, and regulated industries are appropriately observed.

Croatian Art on the Horizon: Lecture by Vanja Žanko

Cursed Crew (2013)

I took my new language on an artistic field trip to Wandsworth on Tuesday evening. Kristin Hjellegjerde's gallery was hosting an event under the auspices of the Creative Croatia Festival, and people with an interest in the Croatian art scene were there to hear freelance curator Vanja Žanko speak. She not only spoke about her curatorial work with various international artists but offered an insight into the artistic world in Zagreb, and Croatia more generally.

It seemed appropriate to talk about artists and their position as antenna of current events against Kirsten's current exhibition of Ethiopian artist Dawit Abebe. In his large scale, enigmatic yet colourful canvases, he explores the conflicts that can arise when history and technology collide. Although he is talking about his own culture, he is placing it against a broader international context, as he says, 'Ethiopia, like many developing countries, has struggled with the impact of technology and modernisation and its place within a long and rich local heritage and culture'. And that is precisely what Vanja is interested in.

It's All About Us: The Importance of Embedded Librarianship

Sometimes it is only with hindsight that you realise you’re going about things the right way, professionally speaking. Over the past year I’ve been reflecting on how the law library profession has changed over the last two decades. When I concluded that ‘I like to think of library services being an 'information centre'; we are at the centre of the firm and information revolves around us, whilst we ensure it gets to the right place’, I had no idea that I was describing embedded librarianship. Although I was actually referring to communications, the latest SLA event on the 20th April at the Sage offices emphasised the importance of physically being in the middle of things.

We heard two very different speakers; Jacqueline Beattie, Information Services Lead at Neftex Petroleum Consultants Ltd, and Genny Franklin, Clinical Librarian at Barts Health NHS Trust. Both offered a tale of embedded librarianship in their respective fields: geoscience and obstetrics and gynaecology. A brief overview of their roles and their employers will inevitably draw out differences between the two roles, but there are inherent similarities. And it was these similarities to which I found myself nodding my head.

#PaintingParadise: The Art of the Garden at the Queen's Gallery, London

From the natural open space of Green Park to the ordered splendour of Russell Square, it is hard to avoid London's parks and gardens. Open to all and offering different atmospheres to please all tastes, they ensure the sanity of tourists and locals alike, as well as inspiration to the most jaded of writers. When I saw the underground poster for the Queen's Gallery's exhibition 'Painting Paradise: The art of the garden', I was unconsciously lured by the well dressed young man's relaxed pose under a tree. Now I've seen that exquisitely tiny painting in its gold frame, I understand my response; it's spring. The sap is rising and simply put, sex sells, and sex is to be found in many of the painted gardens on show.

Clare Goes on a Bitchy Rant

My first non-librarian/KM conference is finally over. My experience was mixed; I'm returning with a phone full of Evernotes and a head overflowing with as yet jumbled ideas. I've not really assessed the learning yet because it's rather daunting and I've no clue where to start. But never have I encountered such cliquey unfriendliness, and in some cases pure discouraging rudeness.

Academia has a problem. You only have to regularly read the Times Higher Ed and realise that the humming halls of learning disguise a bearpit of competition, backstabbing and secrecy. I'm an outsider in this world, just standing on tiptoes looking in, like a child at a window listening to warring parents. And I've no wish to join this dysfunctional family in a professional capacity. My library training and natural inclination is for openness, collaboration, and making room for new ideas from external influences and as such, I'm clearly unwelcome.

From Jerusalem to Bethlehem: or Wo ist...?

There are a number of reasons why a few days in Berlin is a Good Thing. The least important one, despite it being the main event, is the rather large Renaissance Society of America 2015 conference which stretches over three packed days. More of that anon, if I ever navigate the 500 page programme guide. And once I have chosen lectures, will I find the right place out of the 100s of seminar rooms dotted around Humboldt University campus.

Richard Susskind Lecture: The Future of Litigation and Dispute Resolution

Richard Susskind has been making predictions about the legal profession for some years now. However when you’re closely involved with the practice of law on a day to day basis, as many of us are, it is hard to see the dramatic changes that have taken place. This is especially true if you’re in one of the middling sort of law firms. The firms in the extreme size brackets have probably seen the most change; high street firms with funding issues and larger firms with the push for outsourcing, diversification and international growth. All of this has been well covered in the legal press so Susskind has turned his thoughts to the future of litigation, specifically.

Musings on #3DPrinting

Art? Furniture? Protected?

There is no doubt that 3D printing will become ubiquitous as the technology improves and associated costs come down. It has the potential to change the world in many ways; from medical supplies and delivery, technology and repairs, fashion and wearables, to the protection of the environmental through resource efficient manufacturing. However if we were to use children as a gauge for future trends, then the present incorporation of 3D printing into the toy industry will ensure that even the youngest will be aware of 3D printing’s creative possibilities.

Part 2: Centre for Law & Information Policy #CLIP Launch!

These notes conclude the second half of the IALS Centre for Law & Information Policy launch on Tuesday 24th February. The theme was ‘Information flows and dams’. The first part is here. I didn't catch verbatim the last two presentations, and happily the keynote speech 'Does Privacy Matter?' is available online - I had another engagement!

EU Data Protection

David Erdos took the enormous confusion that is European data protection and asked ‘Is a reconceptualization possible?’. He made the case for the new regulation being bureaucratic, burdensome and illogical. Starting out with the relatively simple definitions of key terms, he said that personal data is any information relating to a person, even their job titles. Sensitive personal data includes racial profile, sexual identity, political affiliation etc. Given the general ban on processing sensitive data, taken to extremes, just by stating ‘David Cameron, Prime Minister and Conservative MP is a questionable breach of data protection.

Because of these broad definitions, effective protection is limited due to widespread non-compliance.' He quoted Bert-Jaap Koops (2014) and I’ve found this to clarify, ‘unless data protection reform starts looking in other directions — going back to basics, playing other regulatory tunes on different instruments in other legal areas, and revitalising the spirit of data protection by stimulating best practices — data protection will remain dead. Or, worse perhaps, a zombie’. He suggested some solutions:

1. There should be better definitions of the mischiefs that data protection counters.
2. There should be narrower scope and it shouldn't try to regulate everything.
3. It should acknowledge rights conflicts. Innovation shouldn’t be stifled
4. It should delineate peremptory rules
5. And it should be effectively enforced. 

He outlined some historic support of narrowing the regulation’s scope. First was the Durant case at 28 ‘.It follows from what I have said that not all information retrieved from a computer search against an individual's name or unique identifier is personal data within the Act.’ And the second was the OECD framework guidelines 1980, which were very clear on definitions and scope. However given that the regulation is the most amended piece of legislation ever, he is pessimistic about any back tracking and/or tightening of definitions. 

Cloud Computing

The second speaker from this panel – and actually the last in my notes – was Asma Vranaki on ‘the rise of cloud investigations by European data protection authorities’. I have made liberal use of her blog post on the same matter because this was an exceptionally technical presentation. We did have a twitter exchange on the complexity of the matter so please excuse any errors; they are mine alone.

Cloud computing is the use of the internet to run applications or store data. Until recently, we kept everything locally on our computers or on a server in our office basement. Cloud computing revolutionises this because programs and data suddenly become accessible from any device and any location. The information is accessed remotely and not stored locally. If you have ever accessed web-based email, this is cloud computing. If you’ve streamed music or videos, this is cloud computing. Apps like Dropbx, MiCoach or Evernote both rely on cloud computing. Facebook? Cloud computing. And these innovative applications and technologies are proliferating and are clearly here to stay.

Cloud computing relies on large quantities of personal data, and scholars, regulators, and lawyers are becoming increasingly concerned about data protection issues. Who owns the data and how secure is it? It is these issues that the new European data protection laws are looking to address. Many global in-house lawyers are struggling with the complex and intricate data protection issues raised by cloud computing. Many organisations, including law firms, are adopting cloud computing technologies and services because it is an efficient, flexible, and cost efficient way to work. So what are the implications and how can we find out what is happening?

Asma’s work involves looking at various data sources:

1. Audits and/or investigations of cloud providers conducted by national data protection authorities;
2. Relevant press releases and opinions;
3. Current and proposed data protection laws, and; 
4. Relevant lawsuits filed against cloud providers on the grounds of breaches of data protection laws.

With this information she can assess the compliance of cloud providers with relevant data protection laws and determine whether cloud providers have breached relevant data protection laws. Her findings suggest that there have been a growing number of data audits and/or investigations of cloud providers, such as Facebook twice, Google and Whatsapp by national data protection authorities. At the same time, there is less litigation being filed against such cloud providers.

This trend in my view isn’t surprising. Firstly, it is inevitable that there would be an increase in audits because there are more cloud computing providers. What is more interesting is that there have been so few reported breaches. Perhaps the complexity and the international nature of the companies providing server space is one reason for the lack of investigations –and limited litigation. So many jurisdictions can be involved, and if there is more than one service provider, who is the data controller, which jurisdictional laws apply?

She warns in-house lawyers about these audits and says that this shift indicates a significant change in the methods and processes and people involved in assessing compliance. Additionally, further research needs to be conducted into the reasons behind the so-called rise of the ‘Audit Age’.


The event raised many interesting questions around subjects which have been in the news over the last week! There was a recent parliamentary report on drones; security around apps; the cloud, bio tech data...

Ramblings around Giambologna's Appennino at Pratolino

This is a short piece; perhaps musings on what might and should grow into a longer article. Sadly I just don't have the energy at the moment. It has been a long week of illness in which Twitter and trashy TV have been my entertainment. Despite the mental exhaustion, still, an unknown person got me thinking about an object which I hadn't thought about for a very long time. @History_Pics tweeted a picture of Giambologna's monumental garden sculpture 'Appennino'. As luck would have it, the book I required was on my windowsill, so I reached out to have a look and all my memories of Pratolino came flooding back.

One of the happiest periods of study in my life was the Italian Renaissance Gardens module at Birkbeck University around 2004. That year, by some co-incidence, an inspirational set of people had chosen this course, led by course tutors who lived, ate, breathed garden history of all types. I, on the other hand, had no idea about the subject but had dropped on to the course because it was something I had never heard of - I mean 'garden history'? My focus was Renaissance art and I baffled tutors with my determination to stay in the 16th century when so little of these original fragile and transitory works of art remain.

Centre for Law & Information Policy #CLIP Launch!

These notes make up the first part of the IALS Centre for Law & Information Policy on Tuesday 24th February. The theme was ‘Information flows and dams’. The Centre itself is looking to advance research across the area of data access and ownership rights, data privacy and confidentiality, freedom of information, legal publishing (both free-to-internet and commercial), preservation and management of legal information, internet and social media regulation (in terms of content, access, and ownership) and the malicious use and misuse of data. It aims to build networks and encourage collaboration. 

Don’t Free Citizens Need The Right To Be Forgotten?

Last night saw the inaugural debate of the new Legal Debate Series organised by Thomson Reuters. It was a timely discussion around the highly contentious issue of an individual's right to control their own digital footprint and legacy. On May 13 2014 the ECJ backed the 'Right to be forgotten' and ruled that individuals can request that Google and other search engines remove links to 'inadequate, irrelevant, or no longer relevant personal data'. The blurb continued, 'the implications for search engines, social media operators and in fact, any business with EU operations are huge'. Having already written about litigation and data protection, I was interested to hear if anything new could be brought to the debate.

Anticipating research needs; or being there from pitch to party

Old and New Clare Style

Collyer Bristow is home to a long-standing art gallery which presents the best and most interesting contemporary art, whether by up-and-coming or more established artists. Our current show is by Anne Howeson. She works with eighteenth- and nineteenth-century prints that are copied on to drawing paper, which she transforms by rubbing away, and making additions with paint. So a bucolic printed view of tile kilns on old Maiden Lane (now York Way) becomes overlaid with a modern glass fronted office block. This uncanny mix reminds us of the fluidity of London’s architecture, past, present and future.

What does this exhibition have to do with knowledge management and legal information? Surprisingly, more than you might initially think. One of the speakers at an event held in conjunction with this show was Jeremy Smith, an archivist from London Metropolitan Archives. Obviously Anne is a devotee of London’s archives because of their collections of prints, which provide the underlying inspiration for her work. Jeremy was proud that archives were becoming increasingly popular with artists, but admitted that this show was rare because he was able to see the end product of a user's research.

'Poky pigges and stynkynge makerels': Food standards and urban health in medieval England

• The owner of a filthy bakery in Norwich has been fined after inspectors discovered mouse droppings, out of date meat, and grime caked on to the floors inside.
• Loose rodent bait was found in the flour store, mould was seen growing on the ceiling, and a hole in the roof had been given a 'bodge job' repair - with a bucket used to catch the drips

Daily Mail 5/2/15

I wouldn't normally start a post with a quote from the Daily Mail but it illustrates Professor Carole Rawcliffe's seminar on food standards and urban health in medieval England very well. Not only that but much of her archival research is Norfolk based so there is contiguity. There is a misconception that medieval cooks and food-sellers smothered their food with spices to disguise the taste of rotten meat or fish; Carole dismissed this out of hand. She was also scathing of the 1930s' William Edward Mead who said;

The helplessness of our ancestors in the presence of diseases now almost entirely extirpated in civilised communities by means of intelligence sanitation is indeed one of the most striking differences between mediaeval times and our own 

As she went on to explain, not only were there rules and regulations governing the cleanliness and freshness of food markets, but laws regarding weight and measures, all of which were enforced locally and efficiently. Punishments for selling bad meat or bread were extremely harsh - for reasons that I shall come on to. Not only that but designs for market locations and buildings were carefully considered so that they could be as hygienic as possible. Taken as a whole, and combined with the delightful modern bakery mentioned above, Mead's quote can be dispatched to historic oblivion.

Materiality of Art: Or is computer art, art?

It's rare that any lecture fails to spark a meteor shower of ideas but just occasionally I'm caught off guard. The LSE arranged an event to explore philosophical issues about art, and ask whether computer artworks are physical objects? Do they really qualify as art? The speaker Margaret Boden is Research Professor of Cognitive Science at the University of Sussex. I'd never seriously considered the more intellectual arguments about what constitutes 'art' and it also fitted in well with one of the German sessions of the Dresden conference which had focused on modern examples of mirabilia. I obviously hadn't written up that session so felt this was a good opportunity to synchronise some images and notes.

It's a good job I had some mental images of computer art because Boden provided no slides; 'she isn't into technology'. Was it wrong that alarm bells immediately started ringing? I don't paint with oils but I know how they feel, smell, am aware of their texture and understand their material 'paintiness'. I am no computer programmer but have a reasonable understanding of the architecture which sits behind the screen. My knowledge of marquetry is restricted to memories of my father and his woodwork, as well as reading how to guides, so I know about grain, colour, texture, symbolism. Historians of art require insight into the materiality of the objects they are studying, otherwise how do you understand the challenges that face the artist? It is telling that despite my linguistic incapabilities, I gleaned far more from Verena Kuni's visual presentation than Margaret Boden's words - pretty much the way when dealing with art!

Dresden Conference: The one with Horse Blood and the Hunt

Can't resist this mirror

So this is it. The concluding session of the Dresden Conference on Cabinets of Curiosity. That two day event has provided a wealth of material, as well as making me think about the most extraordinary things. On reflection, the last three sessions were far more controversial than I originally thought; death and colonialism; classifying the unclassifiable; and this final session, which amongst other issues, discussed the blurring of boundaries regarding human and animals. I've combined Marion Endt-Jones and Sarah Wade's talks because they are relevant for my work, and they both used the Musee de la Chasse et de la Nature as a case study.

As Donna Roberts had already noted, 'cabinets of curiosity' have been the topic of many shows to greater and lesser critical success. Marion Endt-Jones suggested we were in a new age of curiosity, citing a raft of shows, from the Manchester coral show, various European exhibitions and the growth in alternative wunder- museums. She suggests that this revival is not just inspired by surreal art but a wholesale 'questioning of institutions'. It is also a reaction to the corporate nature of the white cube, an inevitable and long overdue rethink of ubiquitous bland, open, unnatural, cold galleries.

Dresden Conference: Chimeric Blobs, biological art, or where I go off script

The penultimate talk which I want to cover here marks the descent into something much darker than death and memory; the creation of life. Paradoxically, what should be the most joyous occasion is in an artistic/scientific context, the most troublesome. I can understand that the 16th century natural philosophers attempted to recreate the natural spark of life, and much has been said about this. With ingredients ranging from blood, semen and horse manure, I wasn't sure that the creation and display of modern artificial life would be as distasteful as some of the early modern alchemical recipes.

Helen Gregory's 'Curious instances and chimeric blobs: Disrupting definitions of natural history specimens through contemporary art practice' opened with a discussion about what constitutes a natural history specimen. From the historical wet and dry specimens, which served their purpose adequately, to new technology meaning that objects can be cryogenically frozen. Scientific and laboratory collections have inevitably moved away from their 19th century ancestors and, like some of the samples, evolved beyond all recognition.

Dresden Conference: Wildgoose Memorial Library

From theoretical surrealist curiosity to artistic rational enquiry, Jane Wildgoose's presentation on the work which has arisen from her 'Memorial Library' was rather interesting. I must confess to being rather sceptical at first because I wasn't sure where she was going, but in the end, the light she shed on national museums' archives was both shocking and influential on her work. I don't want to dwell too much on her own collection because, for me personally, this is the part about which I feel most ambivalent. I appreciate that her library of objects is meaningfully and obsessively collected, as well as being catalyst for her research, but I feel unhappy critically examining her collection here. I merely salute her, and suggest you look at her website.

Data Protection and Access to Information: An IALS Lecture

I attended the Institute of Advanced Legal Studies 'Data Protection Act 1984, Freedom of Information Act 2000: thirty and fifteen years on – perspectives on the past and prospects for the future' yesterday evening. The talk, as you'd expect from a university event, was quite academic. I'm used to library/legal events where lawyers/PSLs offer practical solutions to difficult legislation, but it was interesting to hear a different take.

This lecture acknowledged the awkwardness of the various conventions, directives, acts etc., which go to make up the legislative framework of data protection/access to information. There were some interesting insights simply because (shock horror) I'm not aware of the history of data protection, and I had never thought about why 'freedom of information' was actually a complete misnomer. It should be 'a right to access administrative documents' legislation. 

Dresden Conference: Thinking Critically about Curiosity

Donna Roberts's paper set out to encourage us to think critically about curiosity. The world appears to have rediscovered 'cabinets of curiosity' in a big way over the past few years, turning it into the hackneyed phrase that we'd already noted. Although broadly speaking, the modern love of curiosity and rediscovering the love of 'odd collections' is a good thing, the problem with such popularity is the blurring of terminology and lack of critical thinking. To illustrate this point, the article, Museum of Curiosity set to ignite wonder with collection of 'weird' objects, stated that 'un-poetically branding his catalogue of curiosities as “weird shit”, Snelle is purveying objects all sorts of objects from the natural and man-made world'.

 

Dresden Conference: 'I was looking for bog people in Copenhagen' - the work of Rosamond Purcell

All Things Strange And Beautiful

I must confess to bunking off Robert Felfe's probably excellent second session presentation on 'ordnungsraum and labyrinth' because it was in German, and I'm not sure if I even understood the English abstract. My fault, not his. So I went off with a Hochschule student to see her term's work on smoke. It was interesting, and the photos of asphalt stuck on to the bumpy wall was rather effective. Reminded me of ash...

 

Once I'd rejoined the group after refreshments, we entered into the artistic and poetic realm of Rosamond Purcell and the shadow of things. As we saw from the first panel discussion, the conference organisers were keen to ask contemporary artists to speak about their art, not just art historical scholars.

Dresden Conference: Part One Cabinets of Curiosities / Wunderkammern / Kunstkammern

 

View from the theatre

These are the first set of many notes taken at the Dresden Conference on the Cabinet of Curiosities in Contemporary Art (16-17 Jan 2015). As background, the programme states that 'we seek an overview of current debate, artistic, and curatorial strategies. The contemporary version of the cabinet of curiosities is a machine for alternative world views, because inquiring minds and the thirst for knowledge cannot be tamed. What are the curiosities of the 21st century? The mirabilia of the digital age? What are the politics, ideologies and dynamics of today's Kunst- Wunderkammer?'

 

So why here and now? In 2014 the Academy of Fine Arts celebrated its 250th anniversary of its foundation. This conference came about as part of the celebratory events. It accompanies Mark Dion's 'Academy of Things' which is currently on show at the Hochschule. I will come to that separately. Dresden is uniquely placed to host this sort of event because of its own Kunstkammer pedigree, but also its proximity to the Hapsburg collections and the House of Wettin with its pan European connections. Not to mention the desire to cut into contemporary art debate.

Logical Rain: or, the rain in Japan falls...

Sometimes the unintended visits to a place turn out to be the highlights. Although I am here in Dresden on another mission entirely, there is inevitable free time. So having never been to the Japanese Palace on the other side of the Elbe, it was pleasant to while away an hour in the rain.

Yes in the rain. It started with a video  of the Japanese monsoon; lingering shots on industrial landscapes, cityscapes, suburbia, all silent except for the rain. Remembering Whitacre's Cloudburst made me think of rain's musicality. The bursts of forte staccato on a tin roof, the murmuring pianissimo on leaves; an entire orchestra of musical possibility.

Lecture: Exotic birds and animals in the 18th Century garden

Buy a fine singing
bird (1688)

If you're an exotic creature, there's no trusting anything outside in January. From tiny tapirs, tottering giraffes to koalas in mittens our zoological world can be both a lifeline and an unnatural world for the creatures within. I'm clearly no expert on animals, the 18th century, or even the Georgian menageries of old London town, however, yesterday's lecture on exotic birds and animals in the 18th century garden still links to many areas in which I'm interested.

As it is the first in the History of Gardens and Landscapes lectures this term, David Marsh explained that exotica was the theme of  the series; exotica seems to dart about, like a lost traveller, zigzagging through the 18th century. He introduced Dr Christopher Plumb of University of Manchester who is currently writing a book on animals and birds of this period. As a great fan of Timothy tortoise, Christopher's interest in natural history was assured at an early age and he was happy to share some of the colourful stories - both tragic and comic - of England's earliest exotic imports.

On Burrell at Bonhams

Thoughts tumbling, confused memories
When connected curiosities crisscross
Like curlicued brambles which
Frolic over a falconer's purse

To breathlessly chase appropriate words
Like the tiny embroidered dog
Perpetually swimming after but
Never grasping the knowing duck

Stringing ideas like pearls
On Salome's neck, real, lustrous, pure
Incongruous they sit, her infamous deed
Leaving screaming St John with no head.

Concentrating on making mental echoes
Patterns in the dappled green oil reflecting
The Provençale light; golden, warmly
Remembered, longed for sun

Standing considering the diminutive Emperor
His empty visor unsees the crowd
Shiny still, yet battlefield battered
His corrugated strength lives on, upright.

Taken as a whole, this precious
Time capsule collects and connects;
Full of threads to knit, and wire to link
Living cabinets with those now lost.

In appreciation of the Cabinet of Curiosity which is the Burrell Collection.

Reverberations: #SocialMedia, Impact and #Altmetrics within Libraries and Research

I changed my CILIP Special Interest Group membership recently and, although it is too early in the year to tell, it’s possibly cemented the new direction in my continuing professional development. I’ve previously been nervous of the Multimedia and Information Technology Group (MmIT) because I am not a technical whizz and merely an enthusiastic end user of other people’s inventions; I constantly salute the brains behind Blogger, MiCoach and Evernote. However preconceptions are there to be unconcepted and at their AGM yesterday I was astonished at the group’s breadth, scope, and imagination.

During the introduction to the afternoon, chair, Leo Appleton said that the AGM usually set the theme for the year, providing a springboard into the annual conference. After the success of last year’s conference on ‘Sound and Vision in Librarianship: Going Beyond Words and Pictures’, which I’m sad to have missed, they are thinking about revisiting social media and how it's developed. Given that library and information services are using social media in increasingly inventive ways, it would be interesting to reflect on these changes and talk about where it is all going.

Bloggers Beware

Blogs and their related video based versions ‘vlogs’ remain a popular way for individuals, organisations, and companies to communicate with others. Blogs are often linked to other networks, such as Twitter or LinkedIn; new content can be promoted to followers and friends. It takes minimal effort to produce a professional looking blog and generate a number of regular readers.

The most popular platforms are WordPress, Blogger, and Tumblr, and are designed to be easy to use. No programming or technical expertise is required. A variety of sophisticated applications known as ‘plug-ins’ can turn a blog into a shop front, an interactive company advert, a way for a school to reach out to alumni, or even a membership only discussion site. With over 42 million blogs on WordPress alone (2012 stats), the number of blogs available is staggering. Of course, only a tiny number are controversial or problematic but there are potential legal issues around inadvertent or intentional misuse.

Collaboration, Collaboration, Collaboration

By the 'c' side

An article and event came together in happy synchronicity this week. The resultant combination made me consider the true meaning of the word 'collaboration'. A look at the dictionary tells me:

1. to work together with another or others on something.
2. derogatory to co-operate or collude with an enemy, especially one occupying one’s own country.

The FT article on ‘the dangers of a rising C-level for the business environment’ (8/12/14) caught my eye because of its stress on assertiveness training for team members. The author takes a humorous look at the proliferation of chiefs – his ‘c’ word - in the business environment and the dangers of perceived infallibility. He outlines the importance of knowing one’s limits and working within systems, ensuring the smooth running of corporate machinery. He concluded that the real ‘c’ word was ‘colleagues’.

Family, Free Spirits and 3 Winters

 © Jagoda Kaloper-Tajder

In true Renaissance woman style, I'm worried  I'm over-intellectualising my new found enjoyment of a foreign culture. As I ponder the consonants of an unfamiliar language and struggle with the concept of strong family connections, Slavic myths and fairy-tales, and bloody wars, I can't help thinking I'm falling into some kind of mental short circuit.

I've never had the urge to create a family environment. Continuity of lines and names mean nothing to me. Familial loyalty is limited to three people who I love unconditionally but they are long distance relationships. We are who we are; and perhaps we desire that which we've never known. This goes part way to explain my fascination with the Croatian language with its multiple words for nephew, niece etc., depending on whether it's your father's or mother's family. This is such an alien concept that the rigours of cases and word endings come as intellectual relief.

What about an art history podcast?

This isn't a post of note, more a note of a post. An indulgent weekend led to a moment of brilliance, or perhaps it was because I'm still riding on the crest of a wave on my recent dissertation results. Whatever it was, I'm now confident enough in my abilities to believe and acknowledge that brainwaves actually occur to me.

My idea is this. I'm going to enter the world of the spoken word and present a podcast called Renaissance Utterances. My focus is going to be on precisely what I am good at; that is to say, the history of art from a interdisciplinary point of view, with emphasis on the early modern period.

A CPD Review of the Year

Reflections...

CPD is an essential part of being a chartered professional of any type. So I’m pleased to announce I’ve just submitted my CILIP revalidation statement. For those of you unfamiliar with CILIP processes, when you charter you are expected to maintain your professional development by annual revalidation.

I admit that this is my first formal revalidation. It’s not that I haven’t been keeping up-to-date, just I hadn’t informed CILIP. This year has been different for two reasons; they broadened the types of valid CPD, so time spent on reading, presenting, social media etc all count towards the minimum 20 hours; and at the end of last year they launched a virtual learning environment to help with the administrative process.

What is my dissertation about?

The Elector of Saxony’s wire drawing bench (1565) is an extremely complicated piece of art and technology which remains relatively unknown outside France and Germany. It deserves to be more widely known not only amongst the general public, but also art and cultural historians too, due to its unique straddling of the Renaissance art and scientific world.

Wearable Technology: The Impact on Society and Privacy

What do I know about wearable tech? What do I know about my own privacy settings on the tech that I carry about with me? How much of my personal data am I unwittingly giving away to large corporations through apps, GPS, internet searches? With these questions in mind I attended the panel discussion organised by the Halsbury Law Exchange. I was there in a couple of capacities; partly as representative of my firm and partly as an interested consumer.

Data Protection: A Litigation View

Data protection is normally presented from a risk/compliance point of view and, indeed, it is an essential part of a firm's responsibility to their clients. Information professionals should be involved with these compliance duties and be familiar with processes and principles. However, what about the litigation point of view? Yesterday David Glen of 1 Brick Court took us though some recent legal developments but any errors in law or omissions in sense are all mine!

Background
 

The Data Protection Act 1998 was formed out of the EU Data Protection Directive (also known as Directive 95/46/EC). For the first decade of its existence, it caused a stir as a new area of law but then, litigation-wise, essentially discarded. Data protection has been seen as a secondary cause, offering a peripheral remedy after remedies that libel and misuse of information offer.

David believed that this is shifting and we will be seeing a change in the future. He suggested that people are far more aware of their personal data protection rights because of increased discussion in the press. The increased willingness of the judiciary to apply the data protection thresholds is also key; Tugendhat J. has turned it into a radical issue. The final case (below) that he discussed applies the DPA's already broad issue of fairness in an even wider way.

Walead Beshty at the Barbican

Too many lectures not enough art was the verdict yesterday. With the coming of the darkness, rather than listening to words, it was time to exercise the eyes and imagination. And what better way to escape the inky night than head towards the mysterious and overwhelming blue at the Barbican?

 

Blue, as the National Gallery showed us earlier in the year, used to be one of the most expensive and show off colours in the colour spectrum. It is also, I find, one of the easiest ways of lifting the spirits; to lie in the green, whilst looking at the blue is a happy experience. So to see an entire curve of white and blue, was at once earthly and unearthly.

Mining Literature: Digging Deep or Merely Opencast?

I was genuinely excited about the Mining Literature event, which is part of the Arts & Humanities Festival at King's College London. The blub burbled, 'this panel discussion will explore the representation of mining and miners in literature with examples drawn from the Renaissance to the present. We will discuss the ways in which the labour, science, technology and social history of mining have dug their way into English, American, Canadian and Australian literature'.

 

After completing a dissertation which looked at mining as part of an interdisciplinary exploration of an art/science object, I felt a kind of relief that other people were using 'mining' as part of their studies. Because, frankly, it's a niche topic and I had no idea that others were interested.

A Brief History of the Dance Floor

The things I do in the pursuit of the new. This weekend saw me watching Strictly Come Dancing for the first time; a mostly enjoyable experience in the company of best friends and some purple alcohol. Whether the colour of my drink affected my perception of the garish swirling and artificial tans, I could actually see how guiltily addictive such a programme could become. So when I saw that there was a lecture on the secret history of the dance floor at Kings College London, I signed up immediately. How, I wanted to know, had popular dance become a vast box of living Quality Street?

1234 Get on the Dance Floor (2013) filled the old Anatomy Lecture Theatre and Bollywood lived! The catchy nonsensical international lyrics, the colour, movement and rhythm and we were almost back with Strictly, which demonstrates the universality of the themes Professor Ananya Kabir was picking up. The dance floor is transnational, a home for signature moves in a potentially foreign vernacular, a sacred/key place on which you are urged to get, with an unlikely coupling up being a possible goal.

Property Law Current Awareness

A guide for the grumpy!

Sometimes it's good to go back to basics and take a fresh look at a topic. In the past I've worked with property departments, helping them access and make the best of current awareness. However I felt a bit rusty last week so I've popped some sources together and I hope that others find this collection useful - and feel free to tell me about any others. My focus is UK material and I've steered clear of planning law.

There are a wealth of sources for ensuring that property lawyers are fully conversant with current affairs. From newspaper special reports, to social media, I have included an updating method suitable for everyone.

Book Review: 'Corporate Libraries: Basic Principles in a Changing Landscape’

Confusion reigns in the land of CILIP: Chartered Institute of Library and Information Professionals. What is the difference between people who are mid-career managers, experienced directors, newly qualified solo specialists, or…something else entirely? An email from the largely public and academic library umbrella organisation regarding focus groups got me thinking about why our professional body is struggling with this complicated brave new information driven world. In my view, part of this is due to the perceived differences between public and corporate librarians.

Some insights are inadvertently offered in Constance Ard’s new book ‘Corporate Libraries: Basic Principles in a Changing Landscape’ and it goes straight to the heart of why CILIP is in turmoil. I shall come on to specifics shortly. Firstly, it saddens me that this book wasn’t published by Facet Publishing because, aside from a few gripes, it is one of the most insightful and readable - and expensive - books about the changing role of library and information staff I’ve come across recently. Ard and her team of extremely well qualified contributors set out to explore the way that corporate librarians are instrumental in contributing to the aims and objectives of the companies that employ them.

Poetry Inspired by Anselm Kiefer

Vanishing varnishing points
Leadenly lead us in
Heat from exertion
Icy from snow
Numb
From loss
From pain and hate
And dropped burned books
Bomb these stark shadow lines


Deadened punctured landscape
Endlessly blackly repels us
Pale and bloodless
Not seeing
Dead
Empty book
Scrawled endless
Words emerge from the soil
A blankness awaiting new life


Inspired by Anselm Kiefer at the Royal Academy Oct 2014

Für Paul Celan Ash Flower (2006)
Black Flakes (2006)

The Importance of Real Flexible Working

A Very Pleasant 10km Stroll

Autumn. It's that time of year where we can renew workplace resolutions and make a fresh start with a metaphorical new pen and a nice crisp piece of blank paper. Given that law firm trainees traditionally join in early September and newly qualifieds join their departments, there is more than a mere hint of new term atmosphere. Naturally if you're starting a short course, embarking on a career enhancing degree or any type of further education, then the new term is very real indeed.

If you are starting something new, how do you remain energised and enthusiastic? And if like me you are not starting anything new, how do you capture a 'new term' feeling? I want to draw together a couple of things that occurred to me this morning. Firstly, about the idea of remaining as energised as possible for the rest of the year, and secondly, being as healthy as you can be in an office environment.

What if the sunny endorphins of the invigorating holiday you had early in the year have faded, and the year is stretching away into the dusk of a late November evening? The thought of baked puddings, custard, and sitting in the warmth with a good film feels rather inviting. The swimming, cycling, walking of the summer gets packed away along with the bikinis and beach towels, not to be thought about until the weather emerges with the lighter days of spring. But what are we missing in the midst of our inactivity?

Today it was reported that children who do at least an hour of exercise after school are far better at concentrating the rest of the time. This is just as true for adults, and it reminded me of how I felt when six months into my 9-5 desk job, where I was distracted by the shininess of my new profession by the strange twinges in my back and legs. Not only that but I was tired all the time.

The physio asked how much exercise I got and I realised that I had gone from running, riding, cycling and walking regularly to...well, nothing. Walking round with a library trolley, an early morning/late evening trot to the station, and the weekly shop was the sum total of my physical exertion. Despite my youth, my back was protesting at this change in circumstance and the sciatic nerve was screaming, not for rest, but for a return to mobility.

As time has gone on, I've kept most the back trouble under control. For ten years or so I've perched on a gym ball at my desk, causing hilarity and some rude comments. I don't care, it works for me. Further more, I've been a fan of yoga for years. Although I'll never be a flexible willowy yogi, the postures suggested by teachers familiar with the physical stresses of office life have ensured that I remain reasonably pain-free. The jogging is intermittent but I know I feel much better when I am on a renewed push.

Therefore I wanted to make a suggestion to people who are fresh out of university/college and new to the office environment. It doesn't make a difference if you ran cross-country for your school, or hated any kind of physical activity, it will prevent an awful lot of pain and inconvenience if you maintain a certain level of physical activity. Find something that suits you, whether Bollywood style dancing in the evening, or walking marathons at the weekend - most importantly, stick to it.

You don't even have to spend any money if you are broke. Free apps can shout instructions if you have a convenient place in your home/park, and Micoach can put together a training schedule for all abilities. Council pools remain surprisingly cheap and a Boris Bike is a couple of pounds for a day (keep changing the bike every half hour...). Walking around London and the paths along the Thames has the added bonus of being attractive and educational - all for the cost of a shandy 11km in!

As the nights draw in, it can be harder to maintain the exercise. But when you have a satisfying glow from a cycle along the river, or even a calm, warm feeling from an hour's yoga, you can feel the strength and optimism returning to your tired body. As a school teacher once stressed to me; Mens sana in corpore sano and there you go, you're ready for another new term, regardless of the time of year.

An unknown V&A Cabinet - some thoughts

I'm on the cusp of handing in my dissertation and to both my delight and dismay, I'm still finding potentially relevant interesting additions. As I explained to the lovely assistant curator at the V&A last week, it's as if the bench has provided the key to many doors and I'm being invited in to explore. Two items have come to light this week and I wanted to  quickly get some thoughts down on paper. The first is related to my V&A visit, and the second is a Jost Amman woodcut which I have just discovered. I will be focusing on the first below.

On Thursday afternoon we went down to the old post office which serves as the storage for one of the most interesting museum collections in London. As we were issued security passes, the AC was there waiting to escort us upstairs to a massive lumber room with the most interesting rolling shelves contents I've ever seen. As she identified the right shelf, we looked around us, taking in the stag horn mirror, a golden bed stead, 1950s sofas, and various interesting shapes covered in white dust sheets. Like an attic of sleeping beauties, waiting for a visit from someone who knows where to find them.

Thoughts on ​Art, Funding and Conflict

Storm clouds gathering

Apparently some small world events have broken out whilst I've been studying. Thankfully my work enables me retain some semblance of a connection with the news, through reading the papers and having vaguely intelligent conversations with colleagues.

One of these colleagues is an interesting outspoken individual with some strong views. A lawyer, with strong views? Yes I know, most strive to be beyond bland but there are some out there willing to stick their neck out.

We disagree on many things. Our most recent putting the world to wrongs is the Palestine/Israel conflict, about which we profoundly clash. He has familial, emotional, and I guess, client ties to Israel; whereas I am merely a relatively well informed onlooker with horrified and baffled sense of unease about the whole bloody conflict. In my view, the forces on neither side are particularly pleasant, and I feel that there are powers working behind the scenes to prolong the agony of the average person on the war torn streets.

Hunting and the Wire Drawing Bench

First half of the panel

The Ore Mountains were not only central to Saxony because of their seams of wealth, but they also provided a hunting environment rich in game, fowl and fish. Scholars are unanimous in their commentary that for the highest echelons of society, hunting, hawking and angling as sports were an integral part of European culture, and was for some, a consuming obsession.[1] If Charles Bergman is to be believed, hunting played a part in the creation of nations; ‘royalty asserted their rights to the ownership of the forests of their countries and the hunt was closely associated with the assertion of national control by European monarchs over their lands and people’.[2] 

Jost Amman and the Wire Drawing Bench

You know when you're racing against the clock and you can see a deadline waving a chequered flag? Of course this is the time that I'm having some seriously interesting conversations with experts, as well as trying to piece together a totally wild iconographic programme. However I wanted to get this on here because it raises some points which I should probably investigate but I'm scared of venturing too far off the landscape point.

It's also entirely the work of one of the people who knows the bench best, Stephanie Deprouw. Although we have not yet met, we have had some wonderful exchanges, so any mistakes are mine, because of my terrible French.

Marquetry decoration on August I's wiredrawing bench

Wood; the material out of which which the bulk of the bench is made and decorated. It is essential to look more closely at it, especially with my focus on the landscape and the environment. 

Marquetry as a way of adorning objects has a long history. Evidence of its practice has been traced back to the ancient Egyptians, with the Greeks and Romans carrying on the tradition of beautifying their furniture with rare wood inlays. In fifteenth-century Italy, a method of decoration called intarsia became very popular amongst the elite. Solid timber was hollowed out then filled in with valuable metals, precious stones, ivory and rare woods. Marquetry differs from intarsia; thin layers of wood veneer are cut, collected in a design, and laid out over the surface which is to be decorated’ rather than inserted into a hollowed out base.[1] This jigsaw of different wood veneers is precisely how the bench decoration was made.

Mastering Colour and other tricks

High definition colour feels like an entirely modern invention. Saturated manipulated photos, flat screen LCD tvs and 3D cinematic experiences combine to produce a visual pummelling apparently like never before. We have become so accustomed to synthetic colour that we take it for granted, like a cake addict, we are immune to the occasional treat.

So when we emerged blinking from the national gallery basement last night, our eyes had been reset and our brains reattuned to the special nature of the colours around us. The ridiculously blue cock and the bright flags of Trafalgar Square shining in the sunshine had taken on a new significance. They seemed to be a continuation of what we'd seen in Making Colour. A colour wheel of life, perhaps.

Some notes on identification: Ruta graveolens and Elector August

I'm currently looking at details which is my favourite part of art; looking for any clues to build up a better idea of what is going on. This little section concerns a mysterious procession of people towards a stunning 16th century view of Dresden.

The third and final procession of the bench is more open to interpretation than the previous two. However I suggest that this is August returning from a day’s hunting, and present the following reasons. Firstly, his position as riding ahead of the group, which was standard court etiquette, as befitted a man of high status. Secondly, his attire. His clothes initially do not appear overly elaborate, yet his long cloak has a beautifully stiffened collar and a silver chain is fastened around his shoulders by a rosette or other shape. A lace collar peeps out from underneath it. In comparison to the hunters in the various tableaux, he is extremely well dressed for riding in the forest.